Bits

In his “Monadology” of 1714 Wilhelm Gottfried Leibniz developed the argumentative basis for his thesis that this world is the best of all possible worlds. It is hardly surprising that this thesis has repeatedly aroused controversy and flat contradiction since it first appeared.

Since the 6 July, the largest exhibition in the history of the MINDKISS project, the “Art of Resonance Show” has been taking place in the Mind Museum in Manila. It features 18 analogue paintings by OUBEY together with 8 interactive digital interactions that have emerged from, and correspond with, these analogue paintings. “Why on earth the Philippines of all places? Why Manila?” was a question I was frequently asked in the run-up to the exhibition. There are currently much hotter places for art in Asia. 

With the amazing findings from his research into evolution, Charles Darwin revolutionised our view of our world and humankind in the 19th century. One question, however, remained an impenetrable mystery to him.

An artist travels to three Ukrainian towns. Inmidst the ruins he wants to leave some paintings at the walls of shelled buildings - anonymously. Photos of these paintings start to go viral the next day. Some wonder who might have done this. But the handwriting is unmisunderstandably clear: This was done by Banksy.

...I would currently bet on the multiverse, said Steven Weinberg, professor of theoretical physics at Texas State University in Austin and winner of the Nobel Prize in 1979 for his groundbreaking work in the development of quantum mechanics, who passed away in July 2021. 

How does a work of art come into being? Impulsively and expressively with brush and palette on canvas, spontaneously as a drawing or study with pencil on paper, with hammer and chisel in hand on stone or with fingers on a keyboard? Or as an already finished image in the mind of an artist?

Pictures speak their own language. Even though they are seemingly silent, they do communicate with viewers and create a resonance in them. And although they only come to us as the result of an artistic process, and therefore seem static, they carry the process of their creation within them. It sounds and resonates in them.

When you think of the work of the Russian-French painter Marc Chagall, the first thing that probably comes to mind are his dreamlike or biblical themes or his stained glass windows which bathe some of the world’s church buildings in such a truly wonderful light.

Three weeks ago, “between the years”, as I was once again dipping into the shelves of our collected world of books, I spontaneously reached out for two picture books. They lay across the other neatly lined up books which was very much in character with the artist whose work they contained. Herbert Achternbusch.

In March 2004 OUBEY announced that he would paint a thousand stars. It was the first time in twenty years that he so concretely envisaged and publicly announced an artistic project. And it was certainly no coincidence that he dedicated this project to the stars.

More than two thirds of all people on this planet live in cities today – and the tendency is rising. Cities made of stone, concrete and asphalt. Cities in which the air is difficult to breath and where the chirping of a bird is drowned out by the noise of traffic.  Cities in which streets and parking places take up many times the amount of space available for parks, playgrounds and sports fields. This brings up the question of whether the city of the future will, and should, look like this.

This film is simple and difficult at the same time. It’s a joy for the eye, for the ear, and above all for the soul. In times like these. Nomadland – the first film I’ve seen in the cinema for over nine months when the cinemas in Germany were closed because of the pandemic. A great cloud of longing hung over this time. It evaporated for a brief moment after a few minutes in the cinema and then turned into a cloud of happy melancholy that accompanies this film from its beginning to its end.