Bits

It took millions of years of evolutionary development before, some 35,000 years ago, our ancestors began to paint the walls of caves at Chauvet, Lascaux, Altamira and a great many other places in Europe and North Africa, caves where they sought protection from enemies at night and shelter from bad weather during the day. With only the most elementary means they created their wall paintings to eternalise what moved them, what they seen and lived through and what seemed so important to them that they had to commemorate it in images.

Imagine a spaceship one kilometer long and 20 tons in weight just starting on its journey to a planet similar to our Earth in a solar system four and a half light years or 40 trillion kilometers away from our home planet, 700,000 times further from our Earth than the planet Mars. Planned duration of the journey: 50 years. Object and purpose: to find out if there really is extra-terrestrial life on this Earth-like planet. Is this just some crazy fantasy? Pure science-fiction? No, quite the reverse.

There are moments when chance and destiny touch for the fraction of a second. These are the moments of universal creation, change, decay and death for all things. Moments of perfect being-at-one with everything. Moments in which chance and destiny become a single whole.

"Being an artist means not reckoning and counting, but ripening like the tree which does not force its sap and stands confident in the storms of spring, without the fear that after that will come no summer. It does come. But it comes only to the patient who are there as though eternity laid for them. So unconcernedly, still and wide. I learn it daily, learn it with pain for which I am grateful. Patience is everything."

In the last one hundred years, our knowledge of the cosmos, our world, and what happens in it, and our understanding of ourselves as part of life in this world and this universe, has expanded enormously. And in the last thirty years the rate at which we acquire new knowledge has grown at a breath-taking speed. All this has changed our view of the world and ourselves. Yet, even so, our consciousness still finds it difficult to grapple with the implications of what this newly acquired knowledge means and to adequately assimilate them.

Ever since our species first became sedentary, the creation and construction of stone monuments and purpose-built buildings has formed part of every culture. Many testimonials to human prowess in architecture from antiquity are still standing today and remind us of the astonishing achievements of our ancestors across the whole world – from the pyramids of Egypt and the temples of the Babylonians, Greeks and Romans to the gigantic statues on Easter Island and the ring of standing stones at Stonehenge.

When excavations in prehistoric caves unearthed a flute which palaeontologists dated as some 30,000 years old, it was apparent that not just fascinating cave paintings but the productions of sounds from such instruments as flutes was already part of the repertoire of cultural techniques possessed by our ancestors.

Humans trust in their senses. We tend to believe what we see and to hold what we don't see for non-existent. We tend to hear what is loud and overhear what is quiet. We tend to assume that what is big or appears big is important, powerful and even threatening – as the case may be. We tend to take whatever is small as insignificant and harmless.

No one can see the wind. Wind is an invisible but extremely potent force. It shows its power in the far reaches of the universe just as on our planet by moving and transforming.
The mariners of former centuries steered huge sailing ships across the oceans of this world. They were experts in the wind and knew how to set their sails to extract maximum effect from its power.

Everything that exists in the cosmos will pass away eventually. Yet nothing that passes away will cease to exist. Our life on Earth is the result of extremely fortunate exceptional circumstances and was first made possible by the dust of dead stars. It was the dust of dead stars that gave birth to our chemical periodic system. A one-of-a-kind metabolism of absolutely vital importance.

Can artificial intelligence create art? It’s difficult to imagine that this will ever be the case. To create art you need the consciousness of a free spirit. Whether artificial intelligence will ever dispose of the consciousness of a free spirit seems to me highly unlikely. If this should happen then human intelligence and creative power as we know them today will have transitioned to a symbiotic coexistence with artificial intelligence. Will this ever happen? If it should then we shall have to wait at least a few more decades before it arrives.

The turbulence of gigantic ocean waves is an overwhelming display of what we call dynamic complexity – a theme that was dear to OUBEYs heart ever since the 1970s and which we continually encounter in his paintings in a variety of guises.